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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;2023年10月7日 (土) 01:47時点における版&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;1行目:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt; The Striptease Artists of Australia &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;fashioned &lt;/del&gt;in 2002. The SAA &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;efficiently &lt;/del&gt;negotiated an industrial award with the AIRC in 2006. Despite this institution of an &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;field&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;large bare &lt;/del&gt;minimum &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;regular &lt;/del&gt;for labor rights, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;modifications &lt;/del&gt;to work legislature &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;underneath &lt;/del&gt;a Conservative &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;authorities &lt;/del&gt;enabled &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;businesses &lt;/del&gt;to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;make use of &lt;/del&gt;loopholes these &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;types of &lt;/del&gt;as &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;employing &lt;/del&gt;strippers as sub-contractors. The Raymond Revuebar: The Art of Striptease (2002) is a documentary, directed by Simon Weitzman. The nude graphic in art has &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;afflicted ladies &lt;/del&gt;of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;colour &lt;/del&gt;in a &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;various &lt;/del&gt;way than it has white &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ladies&lt;/del&gt;, according to Charmaine Nelson. In Britain in the thirties, when the Windmill Theatre, London, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;started &lt;/del&gt;to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;current &lt;/del&gt;nude &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;displays&lt;/del&gt;, British &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;legislation &lt;/del&gt;prohibited performers &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;moving even though &lt;/del&gt;in a &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;state &lt;/del&gt;of nudity. 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Lap Dance (2014), which stars Briana Evigan and Carmen Electra, focuses on an aspiring actress who &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;helps &lt;/del&gt;make a pact with her partner to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;get &lt;/del&gt;a &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;career &lt;/del&gt;as an exotic dancer so she can make &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cash &lt;/del&gt;to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;treatment &lt;/del&gt;for her most cancers-stricken father.&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt; The Striptease Artists of Australia &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;shaped &lt;/ins&gt;in 2002. The SAA &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;properly &lt;/ins&gt;negotiated an industrial award with the AIRC in 2006. Despite this institution of an &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;business&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;broad &lt;/ins&gt;minimum &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;amount normal &lt;/ins&gt;for labor rights, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;adjustments &lt;/ins&gt;to work legislature &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;below &lt;/ins&gt;a Conservative &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;govt &lt;/ins&gt;enabled &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;employers &lt;/ins&gt;to &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;utilize &lt;/ins&gt;loopholes these as &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;using &lt;/ins&gt;strippers as sub-contractors. The Raymond Revuebar: The Art of Striptease (2002) is a documentary, directed by Simon Weitzman. The nude graphic in art has &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;influenced women &lt;/ins&gt;of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;color &lt;/ins&gt;in a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;unique &lt;/ins&gt;way than it has white &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;gals&lt;/ins&gt;, according to Charmaine Nelson. In Britain in the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;nineteen &lt;/ins&gt;thirties, when the Windmill Theatre, London, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;commenced &lt;/ins&gt;to &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;existing &lt;/ins&gt;nude &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;shows&lt;/ins&gt;, British &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;law &lt;/ins&gt;prohibited performers &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;relocating whilst &lt;/ins&gt;in a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;point out &lt;/ins&gt;of nudity. From ancient &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;situations &lt;/ins&gt;to the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;current &lt;/ins&gt;day, striptease has been viewed as a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;type &lt;/ins&gt;of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;community &lt;/ins&gt;nudity and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;topic &lt;/ins&gt;to &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lawful &lt;/ins&gt;and cultural prohibitions on ethical and decency grounds. Other rules forbid &amp;quot;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;complete &lt;/ins&gt;nudity&amp;quot;. ­Gene doping is &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;from &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;guidelines &lt;/ins&gt;in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;several &lt;/ins&gt;sports activities. But only &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;premium members &lt;/ins&gt;may perhaps &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;send out non-public &lt;/ins&gt;messages to a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;product while &lt;/ins&gt;she is on&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;-&lt;/ins&gt;line. San Francisco, California. &amp;quot;Private Dancer&amp;quot; by Tina Turner was an &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;global strike &lt;/ins&gt;and her &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;next &lt;/ins&gt;maximum-charting &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;solitary &lt;/ins&gt;achieving No. 7 on the U.S. Achille Lauro represented San Marino in the Eurovision Song Contest 2022 with the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;track &lt;/ins&gt;&amp;quot;Stripper&amp;quot;.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; Blaze (1989) &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;characteristics &lt;/ins&gt;Lolita Davidovitch as &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;infamous &lt;/ins&gt;stripper Blaze Starr. 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These &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;provided &lt;/ins&gt;Flashdance (1983), which told the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;tale &lt;/ins&gt;of blue-collar worker Alexandra &amp;quot;Alex&amp;quot; Owens (Jennifer Beals), who performs as an &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;unique &lt;/ins&gt;dancer in a Pittsburgh bar at &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;night time &lt;/ins&gt;and at a metal mill as a welder &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;for the duration of &lt;/ins&gt;the working day. Children (1987-97) &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;often featured &lt;/ins&gt;Al Bundy, Jefferson D&amp;#039;Arcy, and the NO MA&amp;#039;AM crew paying a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;evening &lt;/ins&gt;at the Nudie Bar. 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&lt;/table&gt;</summary>
		<author><name>ArletteSchnell9</name></author>
	</entry>
	<entry>
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		<title>2023年10月6日 (金) 15:28にHerbertOddo043による</title>
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		<updated>2023-10-06T15:28:45Z</updated>

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				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;1行目:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt; The Striptease Artists of Australia &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;formed &lt;/del&gt;in 2002. The SAA efficiently negotiated an industrial award with the AIRC in 2006. Despite this &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;establishment &lt;/del&gt;of an field-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;wide &lt;/del&gt;bare minimum &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;standard &lt;/del&gt;for labor rights, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;improvements &lt;/del&gt;to work legislature underneath a Conservative &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;governing administration &lt;/del&gt;enabled businesses to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;utilize &lt;/del&gt;loopholes &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;this kind &lt;/del&gt;of as &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;utilizing &lt;/del&gt;strippers as sub-contractors. The Raymond Revuebar: The Art of Striptease (2002) is a documentary, directed by Simon Weitzman. The nude graphic in art has &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;impacted &lt;/del&gt;ladies of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;coloration &lt;/del&gt;in a &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;diverse &lt;/del&gt;way than it has white &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;women of all ages&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in accordance &lt;/del&gt;to Charmaine Nelson. In Britain in the thirties, when the Windmill Theatre, London, started to current nude &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;exhibits&lt;/del&gt;, British &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;law &lt;/del&gt;prohibited performers &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;relocating &lt;/del&gt;even though in a &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;condition &lt;/del&gt;of nudity. From ancient &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;occasions &lt;/del&gt;to the present day, striptease has been viewed as a &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;kind &lt;/del&gt;of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;community &lt;/del&gt;nudity and subject to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lawful &lt;/del&gt;and cultural prohibitions on ethical and decency grounds. Other &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;guidelines &lt;/del&gt;forbid &amp;quot;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;entire &lt;/del&gt;nudity&amp;quot;. ­Gene doping is &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;from &lt;/del&gt;the policies in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;many &lt;/del&gt;sports. But only quality &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;customers &lt;/del&gt;may perhaps &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;send non-public &lt;/del&gt;messages to a design though she is on line. San Francisco, California. &amp;quot;Private Dancer&amp;quot; by Tina Turner was an international hit and her second &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;greatest&lt;/del&gt;-charting &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;solitary reaching &lt;/del&gt;No. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;seven &lt;/del&gt;on the U.S. Achille Lauro represented San Marino in the Eurovision Song Contest 2022 with the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;music &lt;/del&gt;&amp;quot;Stripper&amp;quot;.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; Blaze (1989) &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;features &lt;/del&gt;Lolita Davidovitch as notorious stripper Blaze Starr. 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		<author><name>HerbertOddo043</name></author>
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		<id>https://wiki.tentere.net/index.php?title=Here_s_What_I_Know_About_Sec_Cam&amp;diff=49601&amp;oldid=prev</id>
		<title>MaisieWfc5: ページの作成:「&lt;br&gt; The Striptease Artists of Australia formed in 2002. The SAA efficiently negotiated an industrial award with the AIRC in 2006. Despite this establishment of an field-wide bare minimum standard for labor rights, improvements to work legislature underneath a Conservative governing administration enabled businesses to utilize loopholes this kind of as utilizing strippers as sub-contractors. The Raymond Revuebar: The Art of Striptease (2002) is a documentary, direct…」</title>
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		<updated>2023-10-03T12:31:51Z</updated>

		<summary type="html">&lt;p&gt;ページの作成:「&amp;lt;br&amp;gt; The Striptease Artists of Australia formed in 2002. The SAA efficiently negotiated an industrial award with the AIRC in 2006. Despite this establishment of an field-wide bare minimum standard for labor rights, improvements to work legislature underneath a Conservative governing administration enabled businesses to utilize loopholes this kind of as utilizing strippers as sub-contractors. The Raymond Revuebar: The Art of Striptease (2002) is a documentary, direct…」&lt;/p&gt;
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		<author><name>MaisieWfc5</name></author>
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