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		<title>2023年10月4日 (水) 22:19にGlennOrlando326による</title>
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← 古い版&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;2023年10月5日 (木) 07:19時点における版&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt; You can lurk, switch design cams, and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;read &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;prompt &lt;/del&gt;menu for &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ideas&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;personal displays&lt;/del&gt;, and other goodies. 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In 2011, the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;company raised &lt;/del&gt;US$362 million in financing from &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;125 key buyers&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;including &lt;/del&gt;Fortress Investment Group, JPMorgan Chase, and Cornell University. Canada&amp;#039;s most &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;essential &lt;/del&gt;and influential filmmakers of the period, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;including &lt;/del&gt;David Cronenberg, William Fruet, Ivan Reitman and Bob Clark, the new rules also &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;experienced &lt;/del&gt;an completely unexpected aspect &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;impact&lt;/del&gt;: a &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;sudden &lt;/del&gt;hurry of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;reduced&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;budget &lt;/del&gt;horror and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;style movies&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;supposed &lt;/del&gt;as pure tax shelters &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;since &lt;/del&gt;they &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;were designed &lt;/del&gt;not to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;switch &lt;/del&gt;a &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;typical gain&lt;/del&gt;.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; The phenomenon emerged in 1974, when the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;government &lt;/del&gt;of Canada &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;released &lt;/del&gt;new &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;polices &lt;/del&gt;to jumpstart the then-underdeveloped Canadian &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;movie business&lt;/del&gt;, rising the Capital Cost Allowance tax credit &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;history &lt;/del&gt;from sixty for &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;every &lt;/del&gt;cent to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;one hundred &lt;/del&gt;for every cent. The &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;interval formally &lt;/del&gt;finished in 1982, when the Capital Cost Allowance was minimized to fifty &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;per &lt;/del&gt;cent, even though &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;movies &lt;/del&gt;that &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;had &lt;/del&gt;entered manufacturing &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;underneath &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;program &lt;/del&gt;continued to be &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;released &lt;/del&gt;for &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;yet another &lt;/del&gt;couple of years afterward. 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This opened the door to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;far more &lt;/del&gt;open &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;up &lt;/del&gt;depictions of nudity, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;commencing &lt;/del&gt;with Russ Meyer&amp;#039;s 1959 The Immoral Mr. Teas, which has been credited as the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;very first movie &lt;/del&gt;to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;spot &lt;/del&gt;its exploitation aspects unapologetically at the forefront &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;instead &lt;/del&gt;of pretending to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;have &lt;/del&gt;a ethical or &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;academic concept&lt;/del&gt;. They &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;presented &lt;/del&gt;on their own as &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;educational films&lt;/del&gt;, but exploited their &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;topic &lt;/del&gt;subject by &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;concentrating &lt;/del&gt;primarily on the nudist camps&amp;#039; most &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;attractive woman &lt;/del&gt;residents, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;when &lt;/del&gt;denying the existence of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;this sort &lt;/del&gt;of exploitation. Nazi exploitation films, also &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;known as &lt;/del&gt;&amp;quot;Nazisploitation&amp;quot; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;films&lt;/del&gt;, or &amp;quot;il sadiconazista&amp;quot;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;target &lt;/del&gt;on Nazis torturing prisoners in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;death &lt;/del&gt;camps and brothels &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;during &lt;/del&gt;World War II. Mondo &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;films&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;typically identified as &lt;/del&gt;shockumentaries, are quasi-documentary films about sensationalized &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;topics &lt;/del&gt;like unique customs from close to the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;earth &lt;/del&gt;or grotesque &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;death &lt;/del&gt;footage. The Sci-Fi Channel (now &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;regarded &lt;/del&gt;as SyFy) has &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;made &lt;/del&gt;numerous movies about &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;huge &lt;/del&gt;or hybrid mutations whose titles are sensationalized portmanteaus of the two species &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;illustrations involve &lt;/del&gt;Sharktopus and Dinoshark. The latter two &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;utilised &lt;/del&gt;scenes from Star Wars and unauthorized excerpts from John Williams&amp;#039; score.&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt; You can lurk, switch design cams, and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;go through &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;advised &lt;/ins&gt;menu for &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;guidelines&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;private demonstrates&lt;/ins&gt;, and other goodies. 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The &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;period officially &lt;/ins&gt;finished in 1982, when the Capital Cost Allowance was minimized to fifty &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;for every &lt;/ins&gt;cent, even though &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;films &lt;/ins&gt;that &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;experienced &lt;/ins&gt;entered manufacturing &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;beneath &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;software &lt;/ins&gt;continued to be &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;introduced &lt;/ins&gt;for &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;one more &lt;/ins&gt;couple of years afterward. 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Nazi exploitation films, also &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;termed &lt;/ins&gt;&amp;quot;Nazisploitation&amp;quot; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;movies&lt;/ins&gt;, or &amp;quot;il sadiconazista&amp;quot;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;concentrate &lt;/ins&gt;on Nazis torturing prisoners in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;loss of life &lt;/ins&gt;camps and brothels &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;all through &lt;/ins&gt;World War II. Mondo &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;movies&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;usually termed &lt;/ins&gt;shockumentaries, are quasi-documentary films about sensationalized &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;subject areas &lt;/ins&gt;like unique customs from close to the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;globe &lt;/ins&gt;or grotesque &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;demise &lt;/ins&gt;footage. The Sci-Fi Channel (now &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;recognized &lt;/ins&gt;as SyFy) has &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;manufactured &lt;/ins&gt;numerous movies about &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;giant &lt;/ins&gt;or hybrid mutations whose titles are sensationalized portmanteaus of the two species &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;examples include things like &lt;/ins&gt;Sharktopus and Dinoshark. The latter two &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;used &lt;/ins&gt;scenes from Star Wars and unauthorized excerpts from John Williams&amp;#039; score.&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>GlennOrlando326</name></author>
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		<author><name>ModestoMacadam9</name></author>
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